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Zhan Jianjun Zhan Jianjun
my seniors. I entered the Academy of Fine Arts, he is young school teacher. To walk half a century of experience and Lu for treatment with the door to participate in the discussion of his art should be said to have the. written on, but can not be present between the speaker and discuss their own point of intervention in what I hesitate consuming. I invited several students to listen to views of Mr. Chan, in their inspired decision to write their own favorite image, superimposed image and understanding from many in the condensation out of the accumulation of a clear image. So the theme is found, this is the style paintings Zhan Jianjun man's demeanor and his character consistent between.
I have the theme of this argument is clearly a lack of new ideas, one to speak on the back Studies in modern literature and art can be seen more in-depth than the previous development of revealing as to make people feel old and boring topic. But I observe the same generation has also seen further development is not necessary to reveal negate the significance of previous reference. specific to the veteran for most painters Zhan Jianjun Jiuzheng Lu for treatment because of the old formulation and in particular that need it. in the way of life for decades, in the painting conversion from traditional to modern the general trend, its people and integrity of its art is magnificent features are presented clear out the contemporary re Yilin and Scholasticism.
let us look at some of his representative works. ) is not his debut, after the new pictures have been ; typical environment in the typical character (character) Come see the wind from the youth reclaim the heart of those who fly with the wind. to say that literature, poetry near here. It is so freely, so strongly reflected in the founding period of pride Zhuanghuai, at the time that we are very encouraged by these beginners, the students had carried a substantial copy of the Tiananmen Square demonstrations in jubilation. of the party when he was 26 years old, color pen filled with youthful vigor, young phoenix is really clear sound. more two years, continued out more Jiangong Li. He conceived the process of considering a variety of programs, then certainly the implementation of sculptural monument to the heroism of the group portrait. Germany Lessing in his discussion of poetry and painting have also pointed out differences on how to seize the plastic arts movement and the climax point of the skills, remember that this theory has not spread, but he reached through his exploration of this creative, success. one is obtained from the Yixian histories of the field interviews, one has the art of outcrop personality, just the two coincide, creating one find such an opportunity to draw on the artistic conception treatment to eleven ko (also Shun Love) Chengzhang, are operating appropriately. This figure magnificent, it became the first Chinese revolutionary history painting One representative, also marks the Zhan Jianjun's style paintings of early maturing stage. only such creation, about those years, he was usually a portrait, landscape painting of the creation on such a diligent study, each drawn are often seen as novel. for example, by Wang Qiang like Meaning is the rising anger of youth in the inner freehand play with the testimony of so subtle combination of this achievement, and that his style of training is another side, naturally masterpiece. Of course, Chan's art show in the last century 60 out of the new sense of place today, it seems surprising, however, the climate at the time, but it is the courage of the need for autonomy. 70 early last century, he came back from the farm, given the task to complete a Report on Campaign the era of the liberation struggle is a great feat, the revolutionary romanticism artists have pride; the one hand, the artist was and is difficult to get rid of or against the manufacture of to go, how handy work? Marx discusses the French Revolution figures criticized the image problem, do not want painted, kinds of replica schema appeared later in here. This is to illustrate the trend of the weight restriction. probably very few people can completely avoid, I have received of my work. After years of stagnation, the Zhan Jianjun with his (1979) to greet the arrival of the new period of reform. in the picturesque scenery of Tibet, we have often seen is a certain primitive, mysterious depictions of the Chan painting different concern, the wind and Mr. Dong Xiwen 60's of last century made Tibet a little close second. it through divine colors, so that the whole world of the red piece of Tibetan women hold up the image of the goddess as the epic Gao Hua, longing to sing anthem at the plateau of happiness . it is nice what is the ideal reflection of reality. Do not forget that this appeared in just over ten years of turmoil, when the artist expresses in his paean to the world the excitement of people expected for recovery. Please note that on the album A small party composition, everything on the map of the round, they melt in the dreamlike environment field, even more creative depth. Ai when our teacher has copies of this picture hanging in their own desk, on our said: Climbing the Great Wall from which the previous round after round of cross-order meandering rhythm enlarged to embrace the soil behind it, and bringing back memories of a deep and distant history, meaning both unify the space. Thus began the last century, his creative vitality of the 80s re-Praise to the most prosperous period. He is simply at an exception: with a large poster-like composition, with the strengthening of the thick and heavy, more than sketch a large rally of sensual design, it even can not wait to go straight to the chest Chunchao Blow out! time, we just emotional pain that transit thinking over, Zhan Jianjun has been green, pour. and the nature, reality and history, contemplation and aspiration repeated in the works, Wei as symphonic. In this symphonic style as features continue to create excitement that he has come to the climax. during an approach, first a variety of variety of tests, and then toward the simple expression of a more strengthened to walk, striking considerable. Meanwhile there are the unfamiliar situation. as to explore the creative arts since said it is impossible to never miss. For example, in his dust storms in several different characters in the shape Ziqie have meaning when it is deep, however the performance seems to be every Italian state, the reason I am afraid that just because it deviated from the way the artist has always been ourselves up, to a dramatic psychological conflict, yes? seems to me that 90 years after the last century, the Chan painting on a layer of wind, a clear means to deepen, it gradually turned to vigorous, intense and concise, such as the sword-like, just like the rebirth of Zhong Ding Wei, which can be old trees, Garland, sun burn, dancing Hongxia, the horses are waiting for him to Kongkuo repeatedly used the image of the group like to see. for the companion volume, it has already put aside a vision of the yarn, and turn a blind pray the peace of the sky under the shadow of the snowy clouds, to think deeply into the clear state. similar is unprecedented and intense, everything is with a heavy pen and the blade contains internal forces burst out of the horror in our Wild roar. there are to drunk to write plays like height, but also the artist for decades more deeper in the vigorous training to the most strength of character to play. I have to cite deep, to dadu old said, turn a blind eye to standing in front of. Generally speaking, the artist will be attributed to the old space and quiet time, right? not entirely. Do not you see the artist Zhan Jianjun's strong macro gas to old and even more deeper. People Review Zhan painting poetry, for music , yes, he also so self-assessment. But I have to say, but later he let the spirit of philosophical poetry and music from the sublimation out, is not it? tasting when I step by step to achieve such a feeling or understanding, although not necessarily agree with the black Eagle logical development of the arts for the elderly.
scan through this rough, I think the basic knowledge representation arise: Zhan Jianjun's style paintings have a consistent main theme and the melody is generated in creative practice, change and development process. the process belongs to a specific change, and belongs to one of the things Conceiving a changing variety of means. so this is not the main theme is formulated, it is the art of life. this article and more interested in where it's a consistent this aspect. young school teacher said, theorists in the assessment of water that day, called to infer the ancient paintings, which very useful to guide the study of thinking, but still have a more balanced attempt to appropriate the specific formulation. So I coined to the Chan painting in, think it over purely formal things, can explain that this is a painter from the insights and the natural flow of life to get a sense of the agglutination of Xing created in the realm of men, manifested in a variety of situations or feelings heroic, or Ying Yi Mountain atmosphere, or look cool and bright, or image macros deep and so on. even the style together with the paintings, or to call literary theory in the so-called to show the meaning attributed to one.
to say Mingzhan painted features, is also necessary to present our cultural environment in which artists and art trends and a personal relationship problem. Generally speaking, artists and trends in the environment to have a choice before, positioning, established product problems. There conscious conscious sincerity or good faith, would not be safe or Gulou from, or follow the crowd. special to say that our generation has experienced arts practitioners before and after the reform different time, before and after almost his entire life is divided into several stages, when the world's major environmental change on the art of this generation unique undulating bumps. we have experienced a positive evolution from a narrow after the service point to malformations; individual freedom of the open and loss associated with the commercialization of non-manipulated by the main well. In this changing situation, review Zhan Jianjun such a serious attitude towards the autonomy of the artist is of great significance. as in the new China, grew up in arms artist, he dedicated a new life for the Acura, but it does not agree with simplification; receiving a good education, there has never been based on a unique pursuit; his outstanding work has been plenty of emotion to convey the United States, including the form of beauty sentiment, but he did not always get to play heartfelt, in the heart afraid of criticism when there are awkward accusations.
later after another in the face of fashion, he adopted the attitude of careful study, from the subject matter, intent, genre to language, maintain freshness, but not fanatically follow what is not confusing, showing a clear track all step by step, like oceans of the Gulf Stream. Thus, when the world climate change, in the art of maintaining a dedicated, serious and and clear, this is Zhan Jianjun. with his own words, he identified the principle of serving the people, in this approach can and should focus on the , to mature.
some of his critics often attributed to realism and one of the prominent impact of this inside and a different matter. Zhan Jianjun started in the painting when it comes to Soviet experts directly received good training. but he has already received in the past a variety of traditional Chinese teachers and the Enlightenment, after a long out of practice his own way. in realistic style, he has taken to the concrete representation based on the painting, but also follow from the life to the creative approach, focusing on observation and experience, and some creativity and a lot of painting has obvious realistic nature of the particularly in the direct reflection of social life and work of the revolutionary history. but he more than that, he is precisely the characteristics and advantages of a strong romantic pursuit, stressing that Therefore, his works have the glory to the United States directly to sway the people. This is not as realistic as a supplement, but a combination, and even in many Romantic works became the main theme is clear. In my opinion, song, strong efforts to dominate the picture, then some have entered the Chinese style to create the range of modern expressionism. As for the Zhuanghuai and philosophical thinking of pride. I think, for these will help to distinguish the style of his paintings feature in-depth discussion and development leads, of course, not the type of label to stick.
about Zhan Jianjun of man is now grace character aspects. above mentioned Mr. Chan for the generous treatment that the home arts, and human are gentleman. ancients used to explain the gentleman behavior, clothing, household and so on, never have the focus on elegant and graceful habit, never letting loose, even at the alley or in the dusty way, we all see that. This is used in the cultivation, modified sense Man, : His demeanor as handsome. From here you can reach him the dignity of human consciousness. He is very self-respect self-esteem. do not know who will think he has a He is especially respect for others, With sincere enthusiasm. He is to get along with students as a teacher as a serious mission, words and deeds, from the improper nice. so he (and Zhu is waiting for together) brought out a number of acts students. ten years he presided over the Society of the style of painting is legendary. It would have been a spontaneous combination of people, he a public mind, spare no effort to get along with colleagues in Japan for many years consistently, no official gas business gas hybrid. Comments concerning painting today are the most prone to bad habits of, and I observed his master logistics and respect his group is satisfied that there are assertive words, there is not rigid principles, openly. I have witnessed over a trivial matter, that is, comrades from a Huangshan down, exhausted after the board was asked to write the owner. He can not pond tremor by Wang Kun and I write, until the middle of the night. This time, he has been the case in the guesthouse next to not leave, the rationale for transfer paper, ink, which makes me very moving . human dignity is the essence of humanism, it is with enthusiasm and sense of responsibility in the training are linked to the original. This consciousness we also see his art work, over the concept of his paintings, almost no What play of make. may also wish to mention his language. Zhan Jianjun of the word wind is often able to properly put in place, the words truth, the more thrust out of time to explain the meaning of the rise of the more interesting, everyday life is laughing. visible mouth and pen is about the line and use the same highlighted that his integrity, that is his intellectual elite of this generation as the representative of all due to the personality. We know, as the guiding ideology of intellectuals and cultural issues of significant deviations have occurred, we are in the field People's thinking has undergone difficulties in life. Zhan Jianjun career base in the Central Academy of Fine Arts, and this college have been ups and downs. He has long been a leader of young teachers, always go to the middle of the worker-peasant workers, and in the continuous ideological and political movements, he carefully weight. is this last point, which caused many comrades like him who is considered the so-called peers in the peer has had the arrogance of a cadre status, such as their Punished the only consciousness. I remember from the at school, at the farm, in Dazhai, spent time in various places with us, he earnestly to do things well. reform, his talents much to bring out more enthusiasm, but also showed a mature attitude towards life . face of the social contradictions in spiritual issues, the arts policy issues, in relation to matters of social morality and justice, he is neither vague and calm treatment. The most obvious is that he, after careful consideration, made on behalf of Oil Painting Society Construction of Chinese painting consciously School I have emphasized in the above style of his paintings have a consistent main theme, not the wind on the pitch and at all stages to develop, this is also with him as an honest man closely linked to the attitude of life. Su had a Tiba said: handsome and character integrity. Only in this handsome upright, so magnificent. two with the same display as the contemporary style. In a recent media interview, I like the image depicted Zhan Jianjun: In art, his work is like the mountain came with strong gas sing sing for the metaphor probably better than the painting itself embodies the power of a man moved and inspired; the man, he is like standing in a contemporary high Shihlin branch of the tree, and even that tall old man white hair, as the explicit symbol, not too often makes us want to be used for high tree Why?
(Yang Feiyun adopted in this article, Xie Dongming, Yu Hong, Liu Xiaodong, Liu Ying and other comrades of the views of business )
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